迈弗·纽兰德，Marv Newland is a filmmaker who specializes in animation. Newland began a career making animated motion pictures in Los Angeles with the creation of the short Bambi Meets Godzilla (1969). He then designed and animated television commercials until late 1970 when he moved to Toronto, Canada. While in Toronto (1970–1972) he designed, directed and animated television commercials for Sesame Street and Educational Television, and segments for longer films. Newland was also one of two designers and storyboard artists on the Cinera Productions cartoon Super Joe (1971). He was a storyboard designer on an unemployment insurance film at Crawley Films in Ottawa, and created designs and layouts for TV commercials for Phos-Cine Productions in New York. In late 1972 Newland moved to Vancouver, Canada. He spent two years freelancing for local animated film production companies, as well as animation companies in Chicago and Los Angeles. In 1973 Newland created storyboards for the animated television series Barbapapa while at Toonder Studios in Holland. In 1975 Newland founded the animated film production company International Rocketship Limited in Vancouver. At Rocketship he produced and directed numerous animated short films including: Sing Beast Sing (1980), Anijam (1984), Hooray for Sandbox Land (1985), Black Hula (1988), Pink Komkommer (1991), and Fuv (1999). In 1979 Marv hired Gordon Stanfield Animation (GSA) and later, Gordon went on to bring more animation to Vancouver. The company also produced short animated films for other directors such as Danny Antonucci (Lupo the Butcher, 1986), and J. Falconer (Dog Brain, 1988). Newland also designed and directed the National Film Board of Canada vignette, Bill Miner (1978). Rocketship also produced TV commercials, promos, and network ID's for clients like MTV, YTV, YTV Jr., Nickelodeon, Nick Jr., the Children's Television Workshop, Lifetime, MuchMusic and Locomotion, pilots for series, and two longer films; Gary Larson's Tales From th