UFE is a polymorphic work articulated around the fabrication of a film whose process of creation and diffusion ties up with the logic of a living event and a plastic work. This very creation raises the question of the work’s status, and redefines a work and production community. It takes place in a space it invents in a empirical way, between live performance and visual art. The movie, edited in a single copy and the performance are two independent versions of a global artistic proposition. Politics, art and intimacy are the dramaturgic arguments of a collective story, both real and fictional, which tells us about commitment effort. UFE questions the hypothesis of a society (a team) guided by the utopia of revolutionize forms (art forms, life forms).