术的意图是重新安排给定的事物，一种对看似的事物进行封装的声音。Dadda–贵宾楼酒廊是酒廊五大特色篇幅中的第一个。这些是CSSC/Dadda教练舞台教练/Donald和Daisy Duck冒险（一个伪西方系列，一个关于调解暴力的冥想）的20个特色章节的更大系列的一部分。在第一部电影的过程中，唐老鸭，他的妻子戴西鸭，他们的女儿邦克斯，南希里根，安迪沃霍尔，约翰韦恩，迷你，海蒂，斗篷，和手推车虐待，折磨和杀害彼此。 Dadda–Poodle House Saloon使用的Saloon套装是雷纳•沃纳•法斯宾德1971年电影《Whity》中使用的套装的复制品，该片也曾在1966年经典的西式意大利面《好、坏、丑》中使用，由克林特•伊斯特伍德主演。如今，在西班牙阿尔默阿的一个西部小镇迷你好莱坞，仍然可以找到最初的场景，美国西部电影导演曾在20世纪60年代和70年代作为一个更便宜的拍摄地点。在重建这一场景时，一种文化循环和分层发生了，现在嵌入了达达贵宾楼的酒馆。 The intention of art as the act of rearranging the given, a voice of the encapsulation of what appears to be. DADDA – Poodle House Saloon is the first of five feature-length chapters made in the Saloon. These are part of a larger series of 20 feature-length chapters of CSSC / DADDA Coach Stage Stage Coach / Donald And Daisy Duck Adventure, a pseudo western series, a meditation on mediated violence. Over the course of the first film, Donald Duck, his wife Daisy Duck, their daughter Bonkers, Nancy Reagan, Andy Warhol, John Wayne, Mini, Heidi, Poncho, and the Cartwrights abuse, torture, and kill each other. The saloon set used for DADDA – Poodle House Saloon is a replica of the set used in Rainer Werner Fassbinder’s 1971 film Whity, which had also been used in the 1966 classic spaghetti western The Good, The Bad and The Ugly, starring Clint Eastwood. Today, the original set can still be found in Mini Hollywood, a wild-west town in Almería, Spain that American western movie directors used as a cheaper filming location in the 1960s and ‘70s. In recreating this set, a kind of cultural looping and layering occurred and is now embedded in DADDA – Poodle House Saloon.