In an empty hospital in Kolkata, India, a man faces protocols of blood, a subtly discriminatory office, and a vacant operating theater. His mind is on a loop of the last months of his wife’s life, when a quiet argument developed. When is the end of pharma-medical care, whose life is it anyway? They were an estranged couple, thrown back into intimacy by an unknown illness. Even in a dreamworld of his making, the paranoia of infection is twinned with a hesitant intimacy. The film revisits themes from Mohaiemen's earlier Tripoli Cancelled (2017): family unit as locus for pain-beauty dyads, abandoned buildings as staging ground for lost souls, and the necessity of small prevarications to keep on living. In Tripoli, the boredom of daily life is punctuated by letters to an invisible wife, and endless readings of Richard Adams’s dark children’s book “Watership Down”. In Jole Dobe Na, a memory of final days is kept alive by the partner, and the book readings are from Syed Mujtaba Ali’s stories of Europe between the two wars.