From the mid 50s together with the films shot by well-known Soviet (according to their subjectmatter and stylistics) film directors ("A Dragon-fly" by Dolidze, "They Came from the Mountains" by Sanishvili, etc.) there began to appear the films by young film directors who managed to combine exactness and truthfulness of life material comprehended poetically ("Magdana's Donkey" by Rezo Chkheidze and Tengiz Abuladze, 1955; "Somebody's Children", "I, Grandmother, Iliko and Ilarioni" – both by Abuladze, 1963, etc.).