Piel's ZIGANO (1925) shows no trace of Expressionist, psychological angst, and makes no attempt to tell its story through realism or social criticism (though one could make a stretch in drawing comparisons to the Napoleonic-era occupation of the Rhineland and the presence of the French in post-Treaty of Versailles Germany). First and foremost, ZIGANO is pure entertainment. It is highly reminiscent of the costumed swashbuckler epics that Douglas Fairbanks was turning out in Hollywood. Zigano is one part THE MARK OF ZORRO and one part ROBIN HOOD.