The saga of adolescents living on their own as adults was treated as early as 1961 by Triguerinho Neto in this film set in Salvador, Bahia, under the Vargas dictatorship. Tonio has left home, unable to identify with his parents’ community centered around their African-derived religion. But he finds that, as a mulatto, in the outside world he is rejected by whites who see him as black and by blacks who see him as white. Tonio, who prefers the company of marginals who are as indefinable as himself, settles into the protection of a woman old enough to be his mother and befriends local dockworkers who are on strike. Betraying the former to help the latter, he finds himself alone. In his inability to commit, Tonio may be a proletarian version of the rootless character central to early sixties Cinema Novo in such films as São Paulo