“STILL is for me the first truly Proustian film in which I see mood and atmosphere seem to become slowly crystallized on particular objects – as if the whole framed scene and its mood slowly coagulates into – for instance – the mysterious recesses of the lush foliage of the tree across the street which the breeze lowly stirs… The moving and remarkable thing is that in this fifty-odd feet of New York city street front that we view for sixty minutes, nature and dreams of the forest and sky and wind and wilderness end up being more forcibly present than in any film about nature and forest and sky, etc.” –Richard Foreman, FILM CULTURE #63-6