At the end of the young German cinema: REALTIME by Hellmuth Costard. Real time is a time without intervals, the immediacy of the new media for which scales are not needed anymore, which creates punctual images. The castle of Wurzburg by Balthasar Neumann, landscapes staged by computers, interpretations of architecture discussing the utility of images, and cinema placed between all that, pondering whether the audience/the beholder will be granted a point of view.