The film Paradise North and Sound appears as a distinctive séance or a dream centered on spatial disorientation. Since the historical avant-garde and the Balhaus, art and cinema have been interacting with each other in many different contexts (Hollywood cinema, Joseph Cornell, Weegee, 1960s experimental filmmaking, Fluxus, French New Wave, Warhol) and with different concerns and effects for filmmakers and artists. This film continues reflecting on a complex, problematic relationship between cinema, sound and art, especially as represented by painting and drawing. In a way, it is reminiscent of German abstract filmmakers like Viktor Eggeling's Symphonie Diagonal, Oskar Fischinger, Walter Ruttmann and Hans Richter whose abstract films were inspired by painting, graphics, drawing, music and the aesthetic ideas declared in Kandinsky's On the Spiritual in Art. White-Sobieski's ability to generate film animation as real and unreal at the same time makes him a cinematographer in art and a ...